Posts tagged: valentino

Bonjour Couture

By sally, July 7, 2010 3:13 pm

00020big_320x480The Haute Couture Fashion Week has begun and the high fashion market has posted some very positive sales news. Top Parisian labels, including Chanel, Dior and Jean Paul Gaultier, have revealed a marked increase in both sales and demand. ”We have received so many orders, we are not sure we can deliver them,” said Dior ceo Sidney Toledano. “The demand is here. The number of clients has increased – they are looking for high quality, and haute couture is the summit. I’m very optimistic for the future,” he continued. “In the business of couture, the numbers are becoming interesting. The rise has been credited to an influx of orders from China, the Middle East and Russia. Chanel has seen a rise “between 20 and 30 per cent” over the past year.

“There is no end of the season,” said Bruno Pavlovsky, president of fashion at Chanel to WWD. “The people who are interested in couture, they are quite active at the moment. They can come at any time.”

Kicking off this week’s shows today are Bouchra Jarra, Dior, and new comer Axelis Mabille. Tomorrow sees new offerings from Armani Prive, Chanel and Givenchy – the last time the label will show its highest end collections in catwalk format after it opted to conduct individual appointments. Elie Saab, Gaultier and Valentino will round up the event. This year’s event will also see the introduction of jewellery on the official couture schedule. Van Cleef & Arpels and Chanel Joaillerie will both present their new collections.

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Valentino the last emperor

By Nwinkus, November 25, 2009 10:34 pm

I saw a documentary once about Karl Lagerfeld, it left an indelible impact on me, because it gave me an insight into the day to day life of a fashion supremo at work, I am told that Valentino the last emperor has the  same if not more intriguing moments ( one such moments is when Karl Largerfeld proclaims that he and Valentino are the true masters and the rest are just making “RAGS” what a classic line). Taking his last bow before an adoring crowd of movie stars, royals, designers, socialites and supermodels during Paris’ haute couture shows in January. At 76, the designer most often referred to as the “sheik of chic”, received a standing ovation and shed a few tears himself when he was surrounded by models clad in his signature shade, “Valentino red.” Two years ago, at 75, Valentino was abruptly retired by Permira, the private equity group that had bought the company.Valentino_lastemperor1 This attentive, affectionate portrait, by Matt Tyrnauer which traces the final year of the designer’s career, shows that it’s good to be the king. Valentino is the creative wellspring, the man whose intricate demands have to be satisfied. And he is not easily satisfied. One of the last designers whose couture was handmade — his assistants, one of his backers noted, never touched a sewing machine — he relies on his invisible artists, the seamstresses of northern Italy, for the anachronistic grace of his frocks. He designs the dresses; they make them. Antonietta de Angelis, the head seamstress of the house, has some of her boss’s imperious temperament. She knows that anything less than perfection is unacceptable, for a master who keeps wanting to improve on it. After designing a perfect white dress, a symphony of subtle movement, he ponders his creation and announces, “But some sequins can’t hurt.” Says Valentino Garavani “I know what women want,”  “They want to be beautiful.” But the question any couturier must answer is, What kind of beautiful do they want to be?

‘Why are the catwalks so white?’

By Andrew, September 12, 2009 4:50 pm

Supermodel Jourdan Dunn, face of Gap, veteran of US Vogue, and most talked-about model of spring/summer 2008 Fashion Week (in which she walked in an incredible 75 shows including Louis Vuitton and Valentino) has something she’d like to put straight. ‘Everybody says I was spotted shopping in Primark. I wasn’t shopping. I was with my friend: she wanted to go in, I wanted to go home – and we were just mucking about in the sunglasses section.’

It’s an important distinction when, like Jourdan, you’re 17. The tale of the Greenford schoolgirl, discovered by top agency Storm Management in a Hammersmith store in 2006, who goes on to become one of the biggest new models in just two years is too pat for her. When approached by the scout, Dunn knew the Storm name from magazines and America’s Next Top Model (’I thought: Kate Moss!’); she instantly rang her receptionist mum, Dee, whom she and her two younger brothers live with in west London – ‘She was screaming, I was screaming.’ But she wasn’t shopping in Primark. She was mucking about . She’s still unjaded enough to care about truth rather than received wisdom.

Dunn is a fashion star, but first and foremost she’s a teenager, and a very smart one. She’s articulate and observant not only about her own history but about the fashion industry. At London Fashion Week in February, her comments about race made the news. ‘London’s not a white city,’ she told the press. ‘So why should our catwalks be so white?’

Race replaced weight as the story of Fashion Week and anonymous ‘fashion insiders’ opined that the industry had to bow to customer demands: customers who apparently demand white, thin, blonde models. ‘The way people said I was stupid made me feel horrible,’ says Dunn, ’saying that fashion’s just a business so they need to use models who sell things.’ Seeing Naomi Campbell and Tyra Banks when she was growing up made her believe maybe she could be a model. It’s hard to think of other names who could have inspired a teenage black girl. ‘I don’t see a change. It needs to be said because I think about these things and other girls do too.’

Dunn agrees with Campbell’s mooted plan to establish a modelling agency that will promote different races. ‘I’m really ambitious. When I go back into education, I’m going to do business studies. Naomi’s idea is good; I’d do an agency for black girls – and Asian and Spanish, because there aren’t enough of them on the runway either.’

Dunn proved her point when, the week after her comments in London, she became the first black model on Prada’s catwalk in Milan since 1997 – when Campbell walked for the label.

It’s going to be hard for Dunn to avoid the subject of race now, but it won’t be the only reason she’s famous. ‘Not many British girls make a mark on the fashion world,’ says Sarah Doukas, Storm’s MD. ‘When she went to Paris Fashion Week after the Prada show she got standing ovations from the big fashion houses. Jourdan’s also rather wonderful – she’s strong-minded and funny. She has us in stitches.’

Dunn finds it hard to be away from home – ‘I miss out on getting on my brothers’ nerves, so when I get back I have to get on their nerves on purpose to catch up’ – but she’s very happy working as a model (though she misses her drama studies and talks about opening a performing arts school one day). ‘My mum used to come on castings with me – I was scared because there were all these models with their nice shoes and handbags. But now if I don’t get the job it doesn’t bother me. You can’t take it too seriously.’

At the Observer shoot, unlike many models, she takes the time to sift through the clothes rail because she’s genuinely interested. She sits patiently through hair and make-up. ‘I like seeing how I can look in a photo,’ she says over the blast of the hairdryer. ‘I like having spikes coming out of my head or being in something I’d never wear. It’s fun looking at myself in a different way.’

Supermodel, international catwalk star, accidental spokesperson on race, teenager mucking about in Primark … Hopefully everyone will find a different way to look at Jourdan Dunn.

Karl Lagerfeld

By Nwinkus, August 20, 2009 3:04 pm

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Karl Lagerfeld is the master of reinvention. From a portly fan-wielding designer for his own label he shrank to a snake-hipped figure (after which he authored and published The 3D Diet – about dropping 92 pounds in 13 months), and – although he still brandished a fan – he set about world domination as designer for Fendi as well as Chanel, plus a range for H& M.

He is a mini polymath: an intellectual who owns 7L – a bookshop in Paris – speaks several languages and has published books of his art photography too.

• Born in Hamburg in 1938, Karl Lagerfeld emigrated to Paris at the age of 14
• He has designed costumes for La Scala opera
• In 1955, at the age of 17, Lagerfeld worked at Pierre Balmain, after winning a competition. He then worked for Jean Patou, Krizia, Charles Jourdan and Valentino
• In 1967 he joined Fendi, then Chloe the following decade, then Chanel in 1983 – returning briefly to Chloe in 1993 to replace out-going designer Martine Sitbon
• In 1984 he also launched his own name Karl Lagerfeld label which, he said, would channel “intellectual sexiness”

It’s no wonder that he appears to be such a master of the fashion landscape. By 1997, Vogue crowned him the “unparalleled interpreter of the mood of the moment”. Humour in his designs never deserts him whether with quilted handbag earrings, to 2007’s quilted ankle bag.

In 2005 he sold his own name brands (Lagerfeld Gallery and Lagerfeld), to Tommy Hilfiger but maintained full design involvementKarl lagerfeld